Comunicato stampa n. 48/2021 CULTURA: I CAPOLAVORI DI MARCELLO DUDOVICH IN MOSTRA AL PALAZZO DELL’AERONAUTICA A ROMA “The exhibition is certainly a strong and explicit sign of rebirth and a return to normal life, to the rediscovery of cultural moments, to the promotion of our values and our riches.“Thus, the Undersecretary for Culture, Lucia Borgonzoni, at the opening of the exhibition dedicated to the painter and poster artist Marcello Dudovich at the Palazzo dell’Aeronautica.". “Dudovich– explains the undersecretary-, especially in large advertisements displayed in squares, newsstands, and city streets, is known for its ability to bring contemporary images and everyday stories, reinterpreted in a modern key, to the stage. The major restoration of his pictorial cycle, carried out in constant dialogue with the Special Superintendence of Rome, within the framework of the Aeronautics Palace – continue Borgonzoni – it is the will to further enhance the great history of aeronautical culture”– concludes the undersecretary.
“Storia, stile, modernità ed innovazione: valori che rappresentano una sintesi perfetta di questa mostra, così come del Palazzo che la ospita, nel quale oggi dopo 90 anni Marcello Dudovich fa ritorno con rinnovata classe, raffinatezza ed eleganza” stated the Chief of Staff of the Air Force, Air General Alberto Rosso, on the sidelines of the inauguration. “The Palace of Aeronautics is one of those rare cases where an exhibition space fits perfectly, permeating an harmonious systemic order between the space, the exhibited works, history, the people who wrote it, and the public.”
“Storia, stile, modernità ed innovazione: valori che rappresentano una sintesi perfetta di questa mostra, così come del Palazzo che la ospita, nel quale oggi dopo 90 anni Marcello Dudovich fa ritorno con rinnovata classe, raffinatezza ed eleganza” stated the Chief of Staff of the Air Force, Air General Alberto Rosso, on the sidelines of the inauguration. “The Palace of Aeronautics is one of those rare cases where an exhibition space fits perfectly, permeating an harmonious systemic order between the space, the exhibited works, history, the people who wrote it, and the public.”